Genre criticism thereby recovers its freedom and opens up a new space for the creative construction of experimental entities, such as Lukacs’s reading of Solzhenitsyn in terms of an invented “genre” that might be termed the “closed laboratory situation” which project their “diachronic constructs” only the more surely to return to the synchronic historical situation in which such novels can be read as symbolic acts.

I’m pretty sure I went to college at some point. I stopped going, some time after I got my degree. This is why.

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